After talking to several metal shops, Louis Gesualdi decided he needed someone special to fabricate a large steel sculpture for one of his clients. The president of Stamford, CT-based Gesualdi Construction reached out to New Project after checking out our website and finding precisely what he was looking for. Gesualdi was working on Synchrony Financial’s corporate headquarters in Stamford, CT where the firm had engaged artist William C. Seepaul Jr. to create a large sculpture for its corporate campus. Seepaul had translated the consumer financial services company’s minimalist logo into three dimensions, enlivening it with a dynamic ribbon spiraling around bright yellow columns.
When asked about the design, Seepaul stated, “the idea was to create a sculpture that would embody the philosophy of what Synchrony Financial represents. The ribbon is an element that I introduced to illustrate movement. The rising form shows the upward path, an ever moving body that can adapt, yet remain strong, hence the material (steel). The ribbon is a visual representation of musical notation, symphonic harmony, elegance and balance that can be as subtle and simple as it is complex.”
The work, entitled Symphony, was Seepaul’s first large-scale public sculpture. “The mere fact that this sculpture was to be installed in a public place meant that a highly-skilled team of fabricators had to translate the engineering plans and make a tangible, beautiful, and sound piece,” said Seepaul. “There were over 25 sections to the ribbon that had multiplanar curves that had to be painstakingly welded by New Project. This was in addition to New Project fabricating the columns, and the support lattice as well as finishing, prep, and painting then ultimately installing. Excellent work!”
Gesualdi Construction gave New Project approximately 4 months to translate Seepaul’s watercolor renderings and engineering drawings into a full-fledged steel sculpture to be installed at a June ceremony on Synchrony Financial’s corporate campus. After the steel was precisely cut, the pieces comprising the ribbon were rolled into shape and the entire sculpture was assembled, welded, and painted. We then transported the 17-foot tall sculpture to the site where, over the course of two days, we bolted the piece to its concrete foundation, welded the spiral segment to the sculpture’s columns, and made final surface touch ups to ensure a pristine finish.
Louis Gesualdi was pleased with the results. “It’s fantastic! It came out better than great!” the contractor stated when asked how the piece was ultimately received. In addition to the final fabrication of the sculpture, Gesualdi was responsible for the redesign and rebranding of three large building on Synchrony’s campus, juggling multiple details in a fast-paced environment. Having worked with artists before, Gesualdi had previously overseen the fabrication of outdoor sculpture, although nothing quite as challenging as Symphony. “Everyone was exhaling, glad that it all went well,” remarked Gesualdi.
Rendering of Symphony sculpture by artist William Seepaul Jr.
I-beams are welded to create the sculpture’s base.
Brett welds the sculpture from his perch.
The sculpture is primed before painting.
The spiral is test-fitted to before welding the components together.
Meticulous measurements are made to ensure perfect alignment of the spiral segments.
Kelly grinds the welds to give the spiral a clean edge.
The columns are crated to protect the finish after painting.
Pino supervises as the sculpture is loaded onto the truck.
The sculpture is loaded and ready for transport to its permanent home in Stamford.
Brett touches up the welds during installation.
The final installation and a pristine finish. Photo by William Seepaul Jr.